In “The Guardian has a problem with Photographs“, (CiF Watch, Aug. 8), Akus cited several examples of Guardian photos being used which either were misleading, inflammatory, and/or downright dishonest (one photo of Gaza used in a 2010 article by Laila El-Haddad, to reinforce the essay’s suggestion that Gaza was “worse than a prison camp“, below, was actually a shot taken back in 2005, before Israel’s withdrawal. Subsequent criticism resulted in the Guardian removing the photo.)
Here is Harriet Sherwood’s recent dispatch about Israeli legislation which requires a national referendum before any decision to withdraw from Golan.
Of all the photographs to use, Guardian editors chose one from Ghajar at an angle showing the IDF soldier’s weapon pointed at a Palestinian child.
Can anyone seriously claim that the angle of the weapon in relation to the child is merely a coincidence? Can someone truly argue, with a straight face, that the juxtaposition may not have been noticed by Guardian editors when making the decision to use this photograph?
For anyone even faintly familiar with the Guardian’s relentless demonization of Israel, the answer should be obvious.
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At the Guardian, pictures are really worth a thousand (misleading) words
In “The Guardian has a problem with Photographs“, (CiF Watch, Aug. 8), Akus cited several examples of Guardian photos being used which either were misleading, inflammatory, and/or downright dishonest (one photo of Gaza used in a 2010 article by Laila El-Haddad, to reinforce the essay’s suggestion that Gaza was “worse than a prison camp“, below, was actually a shot taken back in 2005, before Israel’s withdrawal. Subsequent criticism resulted in the Guardian removing the photo.)
Here is Harriet Sherwood’s recent dispatch about Israeli legislation which requires a national referendum before any decision to withdraw from Golan.
Of all the photographs to use, Guardian editors chose one from Ghajar at an angle showing the IDF soldier’s weapon pointed at a Palestinian child.
Can anyone seriously claim that the angle of the weapon in relation to the child is merely a coincidence? Can someone truly argue, with a straight face, that the juxtaposition may not have been noticed by Guardian editors when making the decision to use this photograph?
For anyone even faintly familiar with the Guardian’s relentless demonization of Israel, the answer should be obvious.
Like this:
Editors’ note on cancel culture and misuse of the term “antisemitism”
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