The suggestion that Tamimi, who was arrested for assaulting an Israeli soldier and for incitement, by endorsing (on video) armed “resistance”, is a “political prisoner” is beyond absurd. The term “political prisoner” is as codified as pertaining only to those detained in violation of “freedom of thought, conscience and religion, freedom of expression and information, freedom of assembly and association”.
An op-ed in The Guardian by radical anti-Israel activist, and Code Pink co-founder, Medea Benjamin, included the outrageous claim that Ahed Tamimi, the Palestinian teen who was captured on video assaulting an Israeli soldier, was a “PEACEFUL human rights activist”.
Following communication with UK Media Watch, the Guardian agreed to amend the sentence and remove the word “peaceful”.
Within the media echo chamber where Harriet Sherwood operates, the question of what Palestinians actually believe about peace and violence is far less important than the role assigned to them in a drama where the antagonists and protagonists have been pre-determined.
The Guardian report, through their egregious omission, as well as legitimising a risible comparison between Tamimi and the Pakistani heroine, obfuscated the Palestinian teen’s disturbing support for murdering Israeli civilians – representing yet another example of the media group’s ongoing efforts to whitewash widespread Palestinian support for violence.
If the Guardian wants to encourage a fact-based, reasoned debate about the merits of Australia’s refusal to allow Tamimi into the country, the least they could do is avoid misleading readers by obfuscating the Palestinian activist’s well-documented record of intolerance and anti-Zionist extremism.
It’s actually quite extraordinary that a publication which seems to pride itself on peeling off the superficial layers of a story to reveal to readers the story behind the story, published a review of a book featuring the Tamimis without giving readers even the slightest inclination that the family, and the protests they stage, represents something akin to Palestinian street theater, a Pallywood production packaged as real news.